Couldn't help but share these two amazing, inspiring and heartfelt short films by one of my favorite wildlife artists the wonderful Nick Brandt.
Nothing more to do other than let Nick in his own words describe the concept behind his latest beautiful poignant art piece, enjoy.Nick Brandt
So Sebastian Markis editor of the online black & white photography magazine Monovisions contacted me to do an interview for his publication, quote:"We admire your work and we think it fits perfectly with essence of our publication." - your dam right flattery's gonna get you everywhere!
Mono vision is a great publication, full of inspiration from long past to up and coming photographers, as their byline states "Your everyday source of b&w inspirations", so I really do suggest you bookmark this one and use it to top up your creative juices, may your mojo bottle never be empty!
Here's the link, enjoy .......
Thought I'd share with you a lavender shoot I went on last weekend, at Lordington Farm near Chichester, West Sussex.
Although black & white is normally my first choice, it would be a crime not to post a colour version, something I sadly cant share with you is the smell and constant humming of the bees, it truly is quite a special place.
Tech Stuff: BW110 10 stop nd + Lee 0.6 nd 2 stop +Lee 0.6 nd grad 2 stop, ISO100, f22 - this little stack of filters gave me 10mins which was handy because although the pics don't show it, the farm is only open for a few days a year and was quite busy, so the long exposure got rid of most of the people, except the die hard butterfly & bee watchers.
I've put a link to the farms site above for directions, just click on "Lordington Farm"
Every now and then something different comes along, this is one of those things.
Miggo is a protective camera strap, click on the image to take you to their kickstarter site.
Quite often rather than lug around all my kit I'll just stick on a lens and pop my DSLR in my "man" bag (it is manley, honest), however something I not very good at is keeping my Nikon away from my keys, I think this may be the answer to protecting my kit.
I've made some "behind the scenes" changes to the website, hopefully you shouldn't notice too much, but if you spot any screaming howlers please let know.
It's been a while since I posted anything to the blog, so apologies for that.
I shot this the other week at Eastbourne and if your interested here's a little behind the scenes look shot with the Iphone and edited through instagram to give it a bit more impact.
I've stared using Instagram for my iphone colour shots, I seem to have so many places online to post stuff, but when it came to sharing these little snaps I had no place for them but Instagram seems to fit just nicely.
Oh and if you want to follow me on Instagram I'm billallen_
Got invited to post to ND Magazine, not only is it a another place to share online it's also got some interesting articles and interviews.
I particularly like the layout, very simple and easy to use, they seem to be having something of a growth spurt at the moment with new content being added daily, along with the familiar names you find on Flickr, G+, 500px etc there are also some big hitters, with the likes of Levin, Lange, Brandt etc included in the mix, which I like.
Free (donations accepted) and well worth a look me thinks!
Not the easiest of shots, the wind was gusting over 30mph right to left and the incoming wash traveled the whole distance of these cobbles with each wave.
Ive tried to shoot this location at Langney Point in Eastbourne on the UK's south coast a few times, it need the right combination of tide and a rough sea, but not to the extent that I risked being swept away, or that the camera shook too much in the wind, Saturdays conditions were quite favourable.
And for those who are interested , here's a little behind the scenes shot.
One Image two views, it can take years to get your eye in and see in black & white (and composition & perspective).
One image, two views, one the spectator, one the photographer.
It wasn't until after I'd set up the tripod & filters that I noticed this face - concentrating too much on fitting the scene in to a 2:1 crop, and having the shoreline enter from the bottom left corner.Composition is important but you can miss the little things.
Recently it's not been great for any long exposure work, a bit too bright with featureless sky's, so I've been popping a 4" crystal ball I picked up on Ebay in my bag and experimenting with it, using my 50mm f1.4 to loose the background and getting in close to capture the main body of image within the crystal (which it turns out is surprisingly sharp).
The photo's below are a single image, however I've taken the area in the image seen through the crystal and flipped it on it's head which seems to work better and the overall effect was more like what I wanted to achieve, rather than leaving you looking at a blurred background and upside down focal point.
Click on the images to enlarge.
Messing around with a crystal ball, I can see this becoming a bit of a theme and its a great chance to use my 50mm 1.4 wide open.
I've reversed the image in the ball it seems to make more sense and is less confusing to the viewer, other than that this is pretty much straight out of the camera.
Dungeness situated on Kent’s south coast in the south of England is well worth a visit, dominated by its two nuclear power plants the area is home to a wealth of photo subjects. I’ve been there several times and this is a selection of what I came away with from Saturdays little treck.
The set up!
The sound mirrors where built around 1930 these were the predecessors before radar designed to pick up the sound of enemy aircraft from over the English Channel and were purposely placed in remote areas to cut down on external noise.
I popped along to Newhaven on the UK's south coast this afternoon and for once timed it right as a storm was coming over from France, the light was great.
Below are both piers shot from the harbour wall.
5mins, f11, ISO 100, 70mm.BW110 ND
A friend lent me his fathers 1935 Leica mk2, this piece of history had formally been owned by a reporter for the Daily Express so had done the rounds.
You forget just how much is done for you "in camera" so with each shot it's, set the asa (once), pull out the lens, use a light meter, estimate the distance, set the shutter speed, set the aperture, wind on the film, and shoot.
Anyway I decided to run a little test to see just what was achievable and unachievable with two cameras 78 years apart.
For the Leica I used Ilford FP4 125iso b&w film, and for the post process on both it was Lightroom 3.
After b&w conversion in LR3, I gave the leica images a little noise filtration and cropped the IPhone images to roughly the same, then some minor vignette, contrast and levels on both.
Although by no means a scientific experiment the results were quite interesting and the smoother less detailed shots from the Leica I preferred.
Has photography really advanced that much, we still the same light source, that big bright one in the sky and although gear is far better technically , is that always so important?
Taken the other day during a shoot in Brighton on the UK's south coast, the remains of the old pier lends itself so well to long exposure's...... Well it would be rude not to photograph her.
So I spent last Saturday with a new indie/rock band from Brighton, Igloo, to shoot some promo shots for their website, flyers, demo's etc.
The ideas for the shots were left open, they wanted to include some long exposure work, so that was fun, and Brighton is such a great location for just walking and shooting, they're a nice bunch of guys and I wish them good luck in the future.
Here's a gallery of what we made, if you want to find out more about Igloo you can link them at the bottom of this page.
Well I’ve been promising myself the X100 as my “take anywhere camera" for some time, so you can imagine my delight that dear old Fugi have decided to bring out the X100S.
Not only is it the coolest looking retro point & shoot I’ve seen in a long time, it is also a serious bit of kit.
Twice the shooting speed 10fps as opposed to 5fps, and shutter lag down to 0.01secs.
Higher resolution 16MP instead of 11MP.
ISO upt to 25,600 from 12,800.
Longer battery life.
Video quality 1080 (60fps) against 720p (24fps).
The X100S has the CMOS11 sensor, the same as in the XPRO1 and improved auto focus (that was always a contentious point), making it the “worlds fastest” at 0.08secs!
With 70 improvements over the X100 I’m not going to list them all, I’ll just leave you the link here: FUGI X100S
It looks like the X100S is going to be available in the UK in March, so I’m going to have to wait until then, lets hope it delivers what it promises when some of us get our paws on one.
Not a spectacular image, but one I enjoyed making. I've spent most of my
free time during December & January doing long over due building
and decorating works to the house, so after knocking out the fireplace
this morning I afforded myself a couple of hours on the beach.
(Who's the prat in the hat balancing on rocks with a tripod, camera & bag , while the surf crashes around him, when it's 0ºC by the English channel), it's me dodging decorating!
If you have a Flickr account don't forget to log in to it today and take advantage of their 3 months free gift. You don't often get something for nothing so grab it with both hands!